MPC Series Vol.1

New loops and sounds with more power to enjoy more of your MPC pocket!Enjoy your Android device like a MPC and ... Totally FREE!For lovers of music production and Hip-Hop, you have a drum machine wherever you are. Enjoy with your friends or family with this pack of various high quality samples based on real drums and ... Surprise them all! With this sampler you can create music completely free of charge wireless.Note that this application is maintained through advertising. Your opinions and suggestions are always aid and taken into account by our team.This application will consist of several updates that add new samples, we are open to suggestions.HISTORY SAMPLERThe origin of the sampler back to the 1950s, from devices called fonógenos, 1 pieces laboratory almost exclusively consisting of a circular magnetic tape mounted on a head drum and whose playback speed was controlled by a circuit connected to a small musical keyboard allowing to generate all the tones of any previously recorded sound. Karlheinz Stockhausen, Pierre Boulez, Pierre Schaeffer, Iannis Xenakis and Morton Subotnick were some of the musicians and composers began to explore the possibilities of this type of instrument in experimental fields of the time as stochastic music, musique concrete and tape music .In the 1960s appears the mellotron, considered the true forerunner of the modern analog samplers. Analogous to the old fonógenos, the Mellotron tape system controlled via the keyboard. One difference is that the tape system was not closed and also owned several tracks. The film, a few seconds long, was rewound automatically at the end. One of the main disadvantages (shared with fonógenos) is that the attack time was slow, ie controlling the tape engine required some time to spend very serious tone very sharp or vice versa, depending on the interval you executed. Another reason why it's remarkable the Mellotron is that was the first instrument of its kind in use in pop music, by bands like The Beatles, The Rolling Stones, The Moody Blues and King Crimson.In the late 1970s, and with the advancement of digital electronics, shown in Australia by Kim Ryrie and Peter Vogel the Fairlight CMI, the first digital sampler. It often points to Trevor Horn, producer of The Buggles, Peter Gabriel, Art of Noise and Frankie Goes To Hollywood as pioneers in their use. The fusion keyboardist Herbie Hancock also gave use. The diffusion sampler use becomes really apparent when the E-Mu company launches its famous series emulator in the early 1980s, with Depeche Mode, Kraftwerk, Devo Stevie Wonder and some of his greatest champions.The growing demand for devices that allow sound samples made it possible for some brands make it possible to bring the sampling to a more affordable level.A blow to the market proved samplers models E-Mu SP-12, and especially its top model Emu SP-1200. The latter is a sampler created essentially as drum machine for captured sounds. He had special characteristics that made him the favorite instrument producers known as the "golden age of hip hop" in the early 1990s. Seeing the overwhelming market success of SP-1200, was beyond his MPC series, a sort of hybrid between a SP-1200 with more memory and a MIDI sequencer.